Designer Bio
I am a dynamic graphic designer driven by my relentless pursuit of creativity and storytelling. My journey into design began with curiosity and a strong eye for detail, refined through exploration of typography, color theory, and design principles. Every project is an opportunity to breathe life into a story, to immerse myself in the art of visual communication. I find fulfillment in working with children in a classroom setting, where my designs serve to inspire and ignite their imaginations. I also cherish quiet moments with a good book, and find joy in attending hockey games, wether cheering for my son's team or catching an NHL game.
With a commitment to pushing creative boundaries and a passion for meaningful design, I eagerly anticipate the opportunity to collaborate on real-world projects and make a lasting impact through my work.
email: damczykj@gmail.ca
website: www.jenlynndesigns.com
linkedin: Jennifer Damczyk
Instagram: jenlynn_graphics
Course
Graphic Design V
Objective
Craft a visually captivating poster along with another complementary form of media for a non-profit organization located in Ontario. Once these designs are completed, they will be applied to promotional materials determined in the subsequent project phase. The key to success lies in ensuring that the branding for this project resonates with and reflects the values and principles upheld by the non-profit organization.
Description
The design of the “Nine” musical poster pays respect to its inspiration of, Federico Fellini’s “8½,” movie in the 1960s Italian era. The inclusion of an Italian man as the focal point serves as a sign to the heart of the story, drawing a direct parallel to the film’s central character. Placing this figure both behind and within a film reel acts as a deliberate connection to the cinematic roots of the musical, establishing a visual anchor that links the two narratives and the journey the man is going through within the musical. The integration of vibrant and lively colors of pink, yellow, and teal is a deliberate choice, mirroring the spirited atmosphere of the 1960s.
Course
Typography III
Objective
Design a cover and spread for a classical book of Aesop’s Fables, and to use expressive compositions and typography. The spot illustrations were relevant to each of the two fables in a style related to the classical nature.
Description
Preserving the essence of ancient illustrations, employing lines, crosshatching, and simplicity to suggest a timeless quality. Text boxes were designed with classic book ratios, ensuring readability, while titles were crafted to be both cohesive and visually appealing, gentle, indented rectangle for the title, all in subdued tones meaningful of ancient times.
Unconventional design approach, text and titles are creatively integrated into expressive structures. The cover employs a random structure, scattering letters across the page in varying sizes, reminiscent of a mouse’s irregular path, adding a playful touch. “The Lion and the Mouse,” the word “mouse” sneaks into the text, reflecting the story’s theme, while “lion” is emphasized to represent the majestic creature. “The Jay and the Peacock” spread features a radial structure, mirroring the peacock feather’s elegance. The feather’s eye serves as the focal point for the text, while an enlarged background image adds depth to the page.
Course
Brand Identity I
Objective
Created a strong brand identity, a visually appealing logo and a user-friendly website that is optimized for customers and search engines.
Description
Raven Beard Company fake company for men’s grooming that offers a variety of homemade products for beard care.
The logo design and e-commerce website were created with the target audience in mine. The target audience are men of all ages who value grooming and high-quality beard products.
I created a monogram with a pictorial element, using the letter R as a base. The final result is a representation of a raven’s head, with its wings resembling the blades of a razor. The result is a logo that accurately represents the Raven Beard Company brands, values and personality.
The typography used for the words was Skia Bold, a sans-serif font. The stroke on the capital “R” reminded me of a wing on a raven, giving the typography a unique and fitting touch. Its bold and masculine appearance made it eye-catching and easily noticeable.
